This story is told by Sandy Eames, a tallships sailor, so it must be true:
A schooner came into Cherbourg, France to dock. As it approached the wall, its bowsprit impaled a 2CV. The skipper put her into reverse, but it as the waters would have it, the bow lifted up as it backed out, and the boat took the little car out with it. And as luck would have it, the cafe overlooking the dock was full of diners who could testify that Sandy’s tale is true.
Si vous etiez present lors de cet evenement, merci de nous envoyez votre temoignage pour confirmer sa veracite!
I love the rich colors of Technicolor and Kodachrome! The 1964 film, Les Parapluies de Cherbourg, however, was shot on the unstable Eastman negative stock. The director, Jacques Demy, knowing that the negative would fade quickly, had three color bands shot on black and white negative, and thirty years later, created a new color print that is lavish and rich. The entire film’s dialog is sung! it takes a bit of getting used to, all composed by the incredibly prolific Michel Legrand, who also helped to digitally remaster the score for the new version. The experience is something else: elegant dresses matching the wallpaper, beautiful old painted numbers on the bows of fishingboats, sailors in their uniforms, umbrellas, cobblestones, a sweeping, teary score… Probably not shown on a tug flatscreen soon, but here is it, because it is beautiful!
Ah! restoration. It ain’t just for ships.
And, in a “of all the gas joints, in all the towns, in all the world, she walks into mine” moment…
(click on the youtube link, then on “cc” to view subtitles)